Muutmisel on "Pärnu Nüüdismuusika Päevad/Pärnu Nüüdismuusika Päevade 2014 PERFORMATIIVSUS 1 planeerimisleht"

<div style="width:100%; text-align:right;">'''Täna on [[{{CURRENTDAY}}. {{CURRENTMONTHNAME}}]] [[{{CURRENTYEAR}}]]'''</div>


''Siin toimub Pärnu Nüüdismuusika Päevade 2014 PERFORMATIIVSUS planeerimine.''

<br />Eesti Arnold Schönbergi Ühing
<br />Pärnu Nüüdismuusika Päevad 2014
<br />''PERFORMATIIVSUS''
<br />4.-12.jaanuar 2014

<br />[http://www.schoenberg.ee Eesti Arnold Schönbergi Ühingu] Pärnu Nüüdismuusika Päevade 2014 teemaks on PERFORMATIIVSUS. 
<br />
<br />Kavas on sümpoosion, kontserdid, töötoad, näitused, etendused, teoste ühiskuulamised ja -vaatamised. 
<br />
<br />Koostöös [http://www.ooper.parnu.ee Pärnu Ooperi], [http://www.ema.edu.ee Eesti Muusika- ja Teatriakadeemia] ja [http://www.artun.ee Eesti Kunstiakadeemiaga] toimub erinevate kunstialade esindajaid ühendav multimeediumitöötuba, mille oluliseks osaks on haridusprogramm Pärnu koolide õpilastele. Töötoa tulemuseks on eksperimentaalne kontsert-etendus. 
<br />
<br />[http://et.wikipedia.org/wiki/Vikipeedia:Vikiprojekt_N%C3%BC%C3%BCdismuusika_oskuskeel Nüüdismuusika oskuskeele projekti] raames jätkatakse Vikipeediapõhise nüüdismuusika oskuskeele käsiraamatu koostamist.

[http://et.wikipedia.org/wiki/Performatiivsus Mõiste "Performatiivsus" Vikipeedias.]

'''Planeerimisprotsss'''
* [[K 27.3.2013 kell 18 EMTA A-202 planeerimiskoosolek]]
* [[30.9.2013 Call for papers of the Seventh International Conference on Music Theory]]
* [[13.10.2013 Letter of Kerri Kotta to participants of the Seventh International Conference on Music Theory]]
* [[1.12.2013 The final versions of texts / abstracts]] should be published or sent to Kerri Kotta <kerri.kotta@mail.ee>

Pressiteated
* [http://www.schoenberg.ee/SB_020_Uudised/140103_PNP_2014_Algavad_Parnu_Nyydismuusika_Paevad.htm Algavad Pärnu Nüüdismuusika Päevad]
* [[PNP 2014 eeltutvustus]]

==Sümpoosion / Symposium. The list of participants ([[{{CURRENTDAY}}. {{CURRENTMONTHNAME}}]] [[{{CURRENTYEAR}}]])==
<br />'''[[The Seventh International Conference on Music Theory, Tallinn, Pärnu. Musical Form: Mapping the Territories]]'''
<br />''Musical Form: Mapping the Territories''
<br />8.-11.1.2014
:8.-9.1.2014 Eesti Muusika- ja Teatriakadeemia / Estonian Academy of Music and Theatre (Rävala 16, Tallinn)
:10.-11.1.2014 Pärnu Keskraamatukogu / Pärnu Central Library (Akadeemia 3, Pärnu)

Keynotes: 
<br />William Caplin (McGill University, Canada). [[Continuous Exposition' and the Concept of Subordinate Theme]]
<br />James Hepokoski (Yale University, USA). [[Sonata Theory, Secondary Themes, and Continuous Expositions: Reply to William E. Caplin]]
<br />Steven Vande Moortele (University of Toronto, Canada). [[Turning Inward - Turning Outward - Turning Around: Strong Subordinate Themes in Romantic Overtures]]

Presentations:
# Lauri Suurpää (Sibelius Academy, Finland). [[Tonic and Dominant as Gravitational Centers in the First-Movement Exposition of Beethoven's Piano Sonata, Op. 110]]
# Ildar Khannanov (Peabody Institute of the Johns Hopkins University, USA). [[Function and Deformation in Sergei Rachmaninoff’s Etudes-Tableaux op. 39, nos. 5 and 6]]
# Olli Väisälä  (Sibelius Academy, Finland). [[Form, Structure, Sonorities, and Drama in Selected Piano Works by Debussy ]]
# Peter Smith (University of Notre-Dame, USA). [[Schumann's Continuous Expositions and the Classical Tradition]]
# Frank Samarotto (Jacobs School of Music, Indiana University Bloomington, USA). [[The Urlinie, Melodic Energies, and the Dynamics of Inner Form]]
# Petter Stigar (The Grieg Academy, University of Bergen, Norway). [[Emblems of Uncanniness. Trond Kverno Meets Richard Cohn – and Richard Wagner]]
# Julian Horton (School of Music, University College Dublin, Ireland).
# Edward Jurkowski (University of Lethbridge, Canada). [[Are all these themes really necessary? A model to comprehend sonata designs with multiple subordinate themes]]
# Stephen Slottow (University of North Texas, USA). [[The Sequences in Mozart's Piano Sonata, K. 280/I: Types, Functions, and Dispositions]]
# Audra Versekenaite (Lithuanian Academy of Music and Theatre, Lithuania). [[Multi-layered form in Charles Ives's Fourth Symphony]]
# Joshua Mailman (Columbia University / William Paterson University, USA). [[Assertive and Furtive Forms and Processes in Post-war Art Music Off-center]]
# Robert Snarrenberg (Washington University in St. Louis, USA). [[Forms of Form in Songs by Brahms]]
# Timothy Jackson (University of North Texas, USA). [[The First Movements of Anton Eberl’s Symphony in E flat and Beethoven’s Eroica – Towards a “New” Sonata Form?]]
# Poundie Burstein (City University of New York, USA). [[Expositional Journeys and Resting Points]]
# Wayne Petty (University of Michigan, USA) [[Wilhelm Fischer and the Fortspinnung-Based Sonata Exposition]]
# Edward Klorman (The Juilliard School, New York, USA). [[Eighteenth-century Form Revisited: Reconciling Koch’s ''Anlage'', Sonata Theory’s Rotational Form, and Lester’s Parallel-section Construction]]
# Mart Humal (Estonian Academy of Music and Theatre, Estonia) [[Chopin's Prelude in F sharp minor: Form, Harmony, and Counterpoint]]
# Margus Pärtlas (Estonian Academy of Music and Theatre, Estonia) [[Reinventing a Tradition: The Subordinate Key Area in 19th-Century Concertos]]
# Jason Hooper (University of Massachusetts Amherst, USA). [[Schenker’s Conception of Sonata Form before the Urlinie: History, Theory, and Aesthetics]]
# Charity Lofthouse (Hobart and William Smith Colleges, Geneva, NY, USA). [[Rotational Form, Sonata Hybridity, and Post-Tonal Boundary Sonorities in Shostakovich's Fourth Symphony]]
# Mark Richards (University of Lethbridge, Canada). [[Dissonant Fusions and the Loosening of Formal Functions in Classical Themes]]
# Charris Efthimiou (University of Music and Performing Arts Graz, Austria). [[The development of the musical form of heavy-metal music]]
# Michael Gardiner (University of Mississippi, USA). [[Boulez, Envelope-form, and Mahler: An Analysis of Der Abschied]]
# Roberta Vidic (Hochschule für Musik und Theater Hamburg, Germany). [[Beethoven´s E Minor Piano Sonata, Op. 90: A multi-player platform for ambiguity and subthematics in Germany and North America]]
# Michael Oravitz (University of Northern Colorado, USA). [[Meter-based Formal Cues in Selected Works of Debussy]]
# Klaas Coulembier (University of Leuven, Belgium). [[Multi-temporality: creating a meaningful territory in the rhizome of post-tonal music]]
# Brian Black (The University of Lethbridge, Canada). [[Formal Function Anomalies in Schubert’s Late Sonata Forms]]
# Diego Cubero (Jacobs School of Music, Indiana University Bloomington, USA). [[In the Process of Dissolving: Examining the Interaction of Syntactic and Statistical Form in Brahms]]
# Cecilia Oinas (Sibelius Academy, Finland). [[The 'secondary parametres' and their role in musical shaping: examining formal boundaries of Mendelssohn's C minor Piano Trio from the performer’s point of view]]
# Matthew Arndt (The University of Iowa School of Music, USA). [[A Non-Tonal Problem in a Piece by Schoenberg]]
# Rowland Moseley (Harvard University, USA). [[Toward A Phrase Rhythm Model of Early Eighteenth-Century Binary Form]]
# David Lodewyckx (University of Leuven, Belgium / Schola Cantorum Basiliensis, Switzerland). [[Marpurg's Galant Cadence: Theoretical and Formal Perspectives on a Specific Cadential Scheme]]
# Tal Soker (Tel-Aviv University, Israel). [[Form and Content in Carl Philipp Emanuel Bach's Berlin Keyboard Concertos]]
# Ndubuisi Emmanuel Nnamani (University of Cambridge, UK). [[“IGEDE-BELL” as a Catalyst for Structural Coherence – A Study of Tonal-Rhythmic Patterning and Structural Territorialization in Okechukwu  Ndubuisi’s Piano Style|“IGEDE-BELL” as a Catalyst for Structural Coherence – A Study of Tonal-Rhythmic Patterning and Structural Territorialization in Okechukwu Ndubuisi’s Piano Style]]
# Walter Nery Filho (University of São Paulo, Brazil). [[The final form of The Little Cardboard Cat by Villa-Lobos as consequence of motivic transformations and manipulations of a Brazilian traditional song: a dialogic generative proccess]]
# Sona Andreasyan (Yerevan Komitas State Conservatory, Armenia). [[The Fourth Symphony by Arvo Pärt: Transformation of Genre]]
# Nathan Martin (University of Leuven, Belgium) [[Larsen's Legacy: The Three-Part Exposition and the New Formenlehre]]
# Aare Tool (Estonian Academy of Music and Theatre, Estonia). [[Eduard Oja's Piano Quintet: Two-Dimensional Form and Octatonicism]]
# Gerhard Lock, Kerri Kotta (Tallinn University, Estonian Academy of Music and Theatre, Estonia). [[Introduction of an automatized analysis method of musical tension as a response to musical form]]

==Ajakava / Program==
versioon / version ([[{{CURRENTDAY}}. {{CURRENTMONTHNAME}}]] [[{{CURRENTYEAR}}]])

===Kolmapäev / Wednesday 8.1.2014===

sümpoosion / symposium. Eesti Muusika- ja Teatriakadeemia / Estonian Academy of Music and Theatre (Rävala 16, Tallinn). [[The Seventh International Conference on Music Theory, Tallinn, Pärnu. Musical Form: Mapping the Territories]]

9.00 Coffee and registration

9.30 Opening

: Rector of the Estonian Academy of Music and Theatre Prof. Peep Lassmann
: Deputy Chief of Mission of the U.S. Embassy in Tallinn Mrs. Chever X. Voltmer
: Vice Rector for Academic affairs and Research of the Estonian Academy of Music and Theatre Prof. Margus Pärtlas

10:00 Keynotes I & II; chair: Margus Pärtlas

10.00 Keynote I. William Caplin (McGill University, Canada). [[Continuous Exposition' and the Concept of Subordinate Theme]]

11.00 Keynote II. James Hepokoski (Yale University, USA). [[Sonata Theory, Secondary Themes, and Continuous Expositions: Reply to William E. Caplin]]

12.00 Lunch

13.00 Schenker; chair: Peter Smith
: Frank Samarotto (Jacobs School of Music, Indiana University Bloomington, USA). [[The Urlinie, Melodic Energies, and the Dynamics of Inner Form]]
: Jason Hooper (University of Massachusetts Amherst, USA). [[Schenker’s Conception of Sonata Form before the Urlinie: History, Theory, and Aesthetics]]

14.00 Coffee

14.30 Formal functions; chair: Lauri Suurpää
: Brian Black (The University of Lethbridge, Canada). [[Formal Function Anomalies in Schubert’s Late Sonata Forms]]
: Mark Richards (University of Lethbridge, Canada). [[Dissonant Fusions and the Loosening of Formal Functions in Classical Themes]]

15.30 Coffee

16.00 Sonata design reconsidered I; chair: Stephen Slottow
:Edward Jurkowski (University of Lethbridge, Canada). [[Are all these themes really necessary? A model to comprehend sonata designs with multiple subordinate themes]]
:Timothy Jackson (University of North Texas, USA). [[The First Movements of Anton Eberl’s Symphony in E flat and Beethoven’s Eroica – Towards a “New” Sonata Form?]]

17.15 Sonata design reconsidered II; chair: Poundie Burstein
:Wayne Petty (University of Michigan, USA) [[Wilhelm Fischer and the ''Fortspinnung''-Based Sonata Exposition]]
:Nathan Martin (University of Leuven, Belgium) [[Larsen's Legacy: The Three-Part Exposition and the New Formenlehre]]

18.30 Reception

===Neljapäev / Thursday 9.1.2014===

sümpoosion / symposium. Eesti Muusika- ja Teatriakadeemia / Estonian Academy of Music and Theatre (Rävala 16, Tallinn). [[The Seventh International Conference on Music Theory, Tallinn, Pärnu. Musical Form: Mapping the Territories]]

9.00 Coffee

9.30 Exploring 18th century I; chair: Frank Samarotto
:Tal Soker (Tel-Aviv University, Israel). [[Form and Content in Carl Philipp Emanuel Bach's Berlin Keyboard Concertos]]
:Stephen Slottow (University of North Texas, USA). [[The Sequences in Mozart's Piano Sonata, K. 280/I: Types, Functions, and Dispositions]]

10.30 Coffee

11.00 Exploring 18th century II; chair: Wayne Petty
:Rowland Moseley (Harvard University, USA). [[Toward A Phrase Rhythm Model of Early Eighteenth-Century Binary Form]]
:David Lodewyckx (University of Leuven, Belgium; Schola Cantorum Basiliensis, Switzerland). [[Marpurg's Galant Cadence: Theoretical and Formal Perspectives on a Specific Cadential Scheme]]

12.00 Lunch

13.00 Beethoven; chair: Nathan Martin
:Lauri Suurpää (Sibelius Academy, Finland). [[Tonic and Dominant as Gravitational Centers in the First-Movement Exposition of Beethoven's Piano Sonata, Op. 110]]
:Roberta Vidic (Hochschule für Musik und Theater Hamburg, Germany). [[Beethoven´s E Minor Piano Sonata, Op. 90: A multi-player platform for ambiguity and subthematics in Germany and North America]]

14.00 Coffee

14.30 Koch’s legacy; chair: Mark Richards
:Poundie Burstein (City University of New York, USA). [[Expositional Journeys and Resting Points]]
:Edward Klorman (The Juilliard School, New York, USA). [[Eighteenth-century Form Revisited: Reconciling Koch’s ''Anlage'', Sonata Theory’s Rotational Form, and Lester’s Parallel-section Construction]]

16.00 Bus to Pärnu

18.00 Hotel check-in

18.30 Bus to Pärnu Central Library

19.00 kontsert / concert. Pärnu Keskraamatukogu saal / Auditorium of Pärnu Central Library (Akadeemia 3, Pärnu). [[Brahmavihara - four mental states]] by Christian M. Fischer. Mari Targo (viiul / violin), Helena Tuuling (klarnet / clarinet) and Christian M. Fischer (elektroonika / electronics).Tasuta

21.00 muusikateater / music theatre. Endla teatri KÜÜN (Keskväljak 1, Pärnu). [[Inimhääl ja elektroonika / Human voice and electronics]]. Kai Kallastu (sopran / soprano), Malle Maltis (elektroonika / electronics). Pääse 12 eurot

===Reede / Friday 10.1.2014===
sümpoosion / symposium. Pärnu Keskraamatukogu / Pärnu Central Library (Akadeemia 3, Pärnu). [[The Seventh International Conference on Music Theory, Tallinn, Pärnu. Musical Form: Mapping the Territories]]

9.00 Coffee

Keynote chair: Kerri Kotta

9.15 Keynote III. Steven Vande Moortele (University of Toronto, Canada). [[Turning Inward - Turning Outward - Turning Around: Strong Subordinate Themes in Romantic Overtures]]

10.15 Towards renewal of tradition I; chair: Robert Snarrenberg
:Peter Smith (University of Notre-Dame, USA). [[Schumann's Continuous Expositions and the Classical Tradition]]
:Mart Humal (Estonian Academy of Music and Theatre, Estonia). [[Chopin's Prelude in F sharp minor: Form, Harmony, and Counterpoint]]

11.15 Coffee

11.30 Towards renewal of tradition II; chair: Edward Jurkowski
:Cecilia Oinas (Sibelius Academy, Finland). [[The 'secondary parametres' and their role in musical shaping: examining formal boundaries of Mendelssohn's C minor Piano Trio from the performer’s point of view]]
:Margus Pärtlas (Estonian Academy of Music and Theatre, Estonia) [[Reinventing a Tradition: The Subordinate Key Area in 19th-Century Concertos]]

12.30 [[Lunch 10.1.2014|Lunch]]

13.30 Form in Brahms; chair: Jason Hooper
:Robert Snarrenberg (Washington University in St. Louis, USA). [[Forms of Form in Songs by Brahms]]
:Diego Cubero (Jacobs School of Music, Indiana University Bloomington, USA). [[In the Process of Dissolving: Examining the Interaction of Syntactic and Statistical Form in Brahms]]

14.30 Round-table [[MC, S theme, and continuous exposition]]. William Caplin, Nathan Martin, James Hepokoski, Peter Smith, and Poundie Burstein.

16.00 Coffee

16.30 Transition to the 20th century; chair: Charity Lofthouse
:Ildar Khannanov (Peabody Institute of the Johns Hopkins University, USA). [[Function and Deformation in Sergei Rachmaninoff’s Etudes-Tableaux op. 39, nos. 5 and 6]]
:Michael Oravitz (University of Northern Colorado, USA). [[Meter-based Formal Cues in Selected Works of Debussy]]
:Olli Väisälä (Sibelius Academy, Finland). [[Form, Structure, Sonorities, and Drama in Selected Piano Works by Debussy]]

18.00 [[Dinner 10.1.2014|Dinner]]

19.00 kontsert / concert. Pärnu Raekoja saal / Pärnu Town Hall (Nikolai 3, Pärnu). [[Avatud vorm / Open form]]. Kavas / In program Boulez, Pärt, Koha, Maltis, Kancheli. Diana Liiv (klaver / piano). Tasuta

21.00 kontsert / concert. Endla teatri KÜÜN / Black box of Endla Theatre (Keskväljak 1, Pärnu). [[Küberstuudio / Cyberstudio]]. Monika Mattiesen (flöödid), Leonora Palu (flöödid), Tammo Sumera (elektroonika). Kavas Tulve, Siimer, Pärt, Kõlar, Kallastu, Remme. Pääse 12 eurot

===Laupäev / Saturday 11.1.2014===
sümpoosion / symposium. Pärnu Keskraamatukogu / Pärnu Central Library (Akadeemia 3, Pärnu). [[The Seventh International Conference on Music Theory, Tallinn, Pärnu. Musical Form: Mapping the Territories]]

9.00 Coffee

9.15 20th century classics; chair: Joshua Mailman
:Audra Versekenaite (Lithuanian Academy of Music and Theatre, Lithuania). [[Multi-layered form in Charles Ives's Fourth Symphony]]
:Charity Lofthouse (Hobart and William Smith Colleges, Geneva, NY, USA). [[Rotational Form, Sonata Hybridity, and Post-Tonal Boundary Sonorities in Shostakovich's Fourth Symphony]]
:Walter Nery Filho (University of São Paulo, Brazil). [[The final form of The Little Cardboard Cat by Villa-Lobos as consequence of motivic transformations and manipulations of a Brazilian traditional song: a dialogic generative proccess]]

10.45 Coffee

11.00 Moving beyond tonality; chair: Petter Stigar
:? Michael Gardiner (University of Mississippi, USA). [[Boulez, Envelope-form, and Mahler: An Analysis of Der Abschied]]
:Matthew Arndt (The University of Iowa School of Music). [[A Non-Tonal Problem in a Piece by Schoenberg]]

12.00 [[Lunch 11.1.2014|Lunch]]

13.00 New approaches; chair: Olli Väisälä
:Joshua Mailman (Columbia University / William Paterson University, USA) [[Assertive and Furtive Forms and Processes in Post-war Art Music Off-center]]
:Klaas Coulembier (University of Leuven, Belgium) [[Multi-temporality: creating a meaningful territory in the rhizome of post-tonal music]]
:Gerhard Lock, Kerri Kotta (Tallinn University, Estonian Academy of Music and Theatre) [[Introduction of an automatized analysis method of musical tension as a response to musical form]]

14.30 Coffee

15.00 Tradition and modernity; chair: Kerri Kotta
:Petter Stigar (The Grieg Academy, University of Bergen, Norway). [[Emblems of Uncanniness. Trond Kverno Meets Richard Cohn – and Richard Wagner]]
:Sona Andreasyan (Yerevan Komitas State Conservatory, Armenia). [[The Fourth Symphony by Arvo Pärt: Transformation of Genre]]
:Aare Tool (Estonian Academy of Music and Theatre, Estonia) [[Eduard Oja's Piano Quintet: Two-Dimensional Form and Octatonicism]]

16.30 Coffee

17.00 Widening the repertoire; chair: Matthew Arndt
:Charris Efthimiou (University of Music and Performing Arts Graz). [[The development of the musical form of heavy-metal music]]
:Ndubuisi Emmanuel Nnamani (University of Cambridge, UK). [[“IGEDE-BELL” as a Catalyst for Structural Coherence – A Study of Tonal-Rhythmic Patterning and Structural Territorialization in Okechukwu Ndubuisi’s Piano Style]]

18.00 [[Dinner 11.1.2014|Dinner]]

19.00 kontsert / concert. Pärnu Vanalinna põhikooli saal / Hall of Pärnu Old Town Elementary School (Nikolai 26, Pärnu). [[Eksperimentaalsed muusikainstrumendid / Experimental musical instruments]]. Eesti Kunstiakadeemia üliõpilased / Students of Estonian Academy of Arts. Tasuta

21.00 ''performance''. Tervise Paradiisi veekeskus / Water Park of Tervise Paradiis (Side 14). [[Vee kolm olekut / Three states of water]]. Postinstrumentum. Pääse 12 eurot

===Pühapäev / Sunday 12.1.2014===
11.00 arutelu / discussion. Hotell Victoria

==Töötoad==
===Eksperimentaalsed muusikainstrumendid===
:I ehitamise töötuba. September-detsember 2013 Eesti Kunstiakadeemia
:II heliloomingu töötuba. 6.-12.1.2014 Eesti Kunstiakadeemia -> Pärnu Vanalinna Põhikool
::E 6.1.2014 kell 10.00 Andrus Kallastu. Sissejuhatus muusikalisse notatsiooni. Lugu oma pillile
::T 7.1.2014 kell 10.00 Tatjana Kozlova. Loeng kompositsioonitehnikatest
::K 8.1.2014 kell 10.00 Andrus Kallastu. Lugu ansamblile
::N 9.1.2014 kell 10.00 Tarmo Johannes & Tatjana Kozlova. Kava koostamine. Proov
::R 10.1.2014 kell 10.00 Tarmo Johannes & Tatjana Kozlova. Peaproov
::L 11.1.2014 
:::kell 10.00 transport Tallinn - Pärnu
:::kell 13.00 ülesehitus ja proov Pärnu Vanalinna Põhikoolis
:::kell 19.00 kontsert Pärnu Vanalinna Põhikoolis
::P 12.1.2014 kell 10.00 mahavõtmine ja transport Pärnu -> Tallinn

==Praktiline info==
[[Aleksandrale]]
===Transport===
Kerri Kotta 31.12.2013:

====Arrival in Tallinn====
Arriving at Tallinn airport, you have two options to reach the hotel. First, you can take a taxi. Since the center of the town is relatively close to the airport, it is not very expensive. 10-15 minutes drive will cost approximately 5-10 EUR.

I advise you to use Tulika Takso, Tallink Takso or Tallinna Takso, which are the official taxi partners of the Tallinn airport and offer their services with a reasonable price. Additionally you can download Taxi ordering application for your smartphone: http://taxify.ee - which enables 2-click taxi ordering in Tallinn.

For further information please consult: http://www.tallinn-airport.ee/eng/transport/taxi.

Second, you can take a bus – from bus stop 1, bus route no. 2 departs towards the city center. The ticket costs 1,60 EUR and it can be bought from the bus driver. Your stop in the city center is A. Laikmaa (street). For further information see: http://www.tallinn-airport.ee/eng/transport/publictransport. The timetable for bus no. 2 can be accessed here: http://soiduplaan.tallinn.ee/#bus/2/a-b/13413-3/en. Third, if you arrive via Port of Tallinn, I would advise you to take a taxi or – if you have no heavy luggage – just walk to the hotel: the harbor is approximately 600-700 meters from the old medieval town. For further information please consult: http://www.portoftallinn.com/transport-parking. NB! The links to the routes between the air- and seaport and the hotels are added to the end of the letter.

I suggest you to prepare your handouts (if you use any) in advance since we seemingly cannot offer a quick printing service here in our academy. If you still want to print your examples out here in Tallinn, I would recommend you to use Jajaa copy center very close to the academy: http://jajaa.ee/site/?page_id=20 or http://jajaa.ee/site/?lang=en.
[[Kategooria:Projekt]]

====Transport Tallinn - Pärnu====
We are leaving for Pärnu on Thursday afternoon, January 9th. After checking out of your hotel, please take your luggage together with you to the academy and we will try to find a place for it. There is only half an hour between the end of the last session and the departure to Pärnu, which is probably not sufficient to visit your hotel.


====Transport Pärnu - Tallinn====
[[PNP 2014 transport Pärnu-Tallinn]]

As people leave from Pärnu at different times, we decided not to rent a bus for the return to Tallinn. Instead, we will cover your return ticket to Tallinn. I recommend you to book your ticket in advance, which you can do at: http://www.tpilet.ee/en/timetable/parnu/tallinn?Scope=Custom&Date=01-11-2014&Transfer=None. NB! Please check the date! After booking the ticket, please send a copy of it (as a pdf file) to me together with a copy of the payment document (pdf) and your bank account number so that we could make a repayment.

Again, there are two options to get to the airport: (1) to take a taxi or (2) bus no. 2. For more information see: http://bussijaam.ee/en/.

The route from the bus station to the airport can be seen here: https://maps.google.ee/maps?saddr=Tallinna+Bussijaam,+Lastekodu,+Kesklinn,+Tallinn,+Tallinna+linn&daddr=Tallinna+lennujaam,+Tallinn&hl=et&ll=59.423557,24.783225&spn=0.022704,0.066047&sll=59.42152,24.785062&sspn=0.022705,0.066047&geocode=FZ_KigMd_wR6ASmBtKZmqJSSRjH_c6E13iHWXA%3BFVWTigMd9Ol6ASGn6lQli1jDUCmlGLsPYeuSRjGn6lQli1jDUA&oq=Tallinna+Len&dirflg=r&ttype=now&noexp=0&noal=0&sort=def&mra=ltm&t=m&z=15&start=0

===Majutus / Accommodation===

====Majutus Tallinnas / Accommodation in Tallinn====
[[Pärnu Nüüdismuusika Päevade 2014 PERFORMATIIVSUS planeerimisleht/Külaliste majutus Tallinnas| Külaliste majutus Tallinnas / Accommodation in Tallinn]]

As already told we can cover the hotel in Pärnu, but unfortunately not in Tallinn. However, we have booked two hotels in Tallinn - Savoy Boutique Hotel and Santa Barbara - with which our academy has an agreement that they offer a better and more affordable price for our guests. Both hotels are located in city center, are very convenient, and within a walking distance from the academy. A single room rate for one night in Savoy is 95 EUR (it's a bit more luxurious) and Santa Barbara 59 EUR (to 7 January 2014) or 45 EUR (from 8 January 2014; Santa Barbara was also the hotel which accommodated our guests during the last conference). Since the Tallinn part of the conference includes dates January 8-9 you probably need rooms for January 7-8 (as already said, in the afternoon of January 9 we will leave for Pärnu). After returning to Tallinn you may also need a room for January 11 or 12 depending on your travel itinerary. The information about Savoy Boutique Hotel can be found at: http://www.tallinnhotels.ee/savoy-boutique-hotel-rooms and Santa Barbara at: http://www.stbarbara.ee/en/ . In order to obtain a discount rate, please do not follow the ordinary booking procedure provided by the web-pages of the hotels, but just send an e-mail together with the password "music theory" directly to the hotel. The booking e-mail address for Savoy is savoy@tallinnhotels.ee and for Santa Barbara reservations@stbarbara.ee .

====Majutus Pärnus / Accommodation in Pärnu====

=====Korraldajate poolt makstud majutus=====

[[Pärnu Nüüdismuusika Päevade 2014 PERFORMATIIVSUS planeerimisleht/PNP 2014 majutus Pärnus | PNP 2014 majutus Pärnus / Accommodation in Pärnu]]

Kerri Kotta, kerri.kotta@mail.ee: When you have made your reservation in Tallinn hotels, please let me know whether or for how long you will stay in Pärnu. In Pärnu, we have booked entire hotel, and in order to inform you about the accommodation in Pärnu in more detail I need to know your travel plans.

PNP 2014 sümpoosionist osavõtjate majutus toimub 9.-12.1.2014 hotellides [http://www.victoriahotel.ee/est/ Victoria] ja [http://www.reiser.ee/ Villa Artis]. Majutuse planeerimine toimub lehel [[Pärnu Nüüdismuusika Päevade 2014 PERFORMATIIVSUS planeerimisleht/PNP 2014 majutus Pärnus | PNP 2014 majutus Pärnus / Accommodation in Pärnu]].

Majutuse planeerimisega (külaliste jaotumine tubadesse) Pärnus tegeleb Kerri Kotta, kerri.kotta@mail.ee

=====Osalejate omafinatseeritud majutus=====

Soodsa majutusvõimaluse leidmiseks Pärnus soovitame kasutada lehte http://www.visitparnu.com/et/puhkajale/majutus-2?c_1=1&sortgroup=2&limit=50

===Toitlustamine===

====Tasuta toitlustamine====
Osavõtjate tasuta toitlustamine toimub järgmiselt:
* 10.-12.1.2014 hommikusöök hotellides Victoria ja Villa Artis
* 10.-11.1.2014 konverentsist osavõtjate lõuna ja õhtusöök restoranis Tex Mex nimekirjade alusel
[[Taimetoit]]

====Toitlustamine oma raha eest====
Soodustused Pärnus:
* Victoria hotellis kehtib Pärnu Nüüdismuusika Päevade 2014 tunnuskleepsu ettenäitajale restorani menüüst -15% allahindlus ja kohvi hind on 1,50 eurot.
* Restoranis Tex Mex kehtib Pärnu Nüüdismuusika Päevade 2014 tunnuskleepsu ettenäitajale restorani menüüst -15% allahindlus.
* Pärnu Endla teatri kohvikus on PNP 2014 kleepsu ettenäitamisel soodustus 10%.


[[Kategooria:Projekt]]